{"id":8450,"date":"2021-09-15T19:16:46","date_gmt":"2021-09-15T16:16:46","guid":{"rendered":"https:\/\/stasishellas.gr\/?page_id=8450"},"modified":"2021-09-24T17:16:56","modified_gmt":"2021-09-24T14:16:56","slug":"main-menu","status":"publish","type":"page","link":"https:\/\/stasishellas.gr\/?page_id=8450","title":{"rendered":"main menu_\u0395\u039d"},"content":{"rendered":"\n\t\t\t

<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"staxia\n \n\t\t\t\t\t\t\t\t<\/rs-layer>01 \n\t\t\t\t\t\t\t\t<\/rs-layer>05 \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group>The ultimate vaccine to get you back on your feet \n\t\t\t\t\t\t\t<\/rs-layer>WATCH TRAILER \n\t\t\t\t\t\t\t<\/a>\"mobile \n\t\t\t\t\t\t\t<\/rs-layer>\"FLAG \n\t\t\t\t\t\t\t<\/a>\"stasis \n\t\t\t\t\t\t\t<\/rs-layer>\"ios \n\t\t\t\t\t\t\t<\/a>\"\" \n\t\t\t\t\t\t\t<\/rs-layer>SHARE \n\t\t\t\t\t\t\t<\/a>\"EIMAI-ANTHROPOS_SIDE_EN\" \n\t\t\t\t\t\t\t<\/a>\"android \n\t\t\t\t\t\t\t<\/a>A satirical application of Augmented Reality by Hellada Stasinoglou
\non the occasion of the anniversary of the 200 years of Greek paranoia (1821-2021) \n\t\t\t\t\t\t\t<\/rs-layer><\/i> \n\t\t\t\t\t\t\t<\/rs-layer>\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"blue\ninfo \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>1 \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>My name is Hellada Stasinoglou and I\u2019m the creator of the stasis hellas app. \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>Although pretty young I already have traveled and seen much of the world thanks to my stepfather\u2019s line of work.
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\nWhen I came to Greece in June 2021, I realized that this year was going to be special for me. My parents\u2019 homeland celebrates 200 years since the Greek War of Independence (1821-2021).
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\nAt all the schools I went to, both in Greece and abroad, I recall seeing everywhere pictures depicting the great heroes of 1821. Our home library has always been home to many history books, comics and pieces of literature that describe the events that unfolded back then in great detail, all written by men.
\n \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-column><\/rs-row><\/rs-zone> \n\t\t\t\t\t\t\t\t<\/rs-layer>01 \n\t\t\t\t\t\t\t\t<\/rs-layer>04 \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group>next \n\t\t\t\t\t\t\t\t<\/rs-layer>back \n\t\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group>\"stasinoglou \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer>\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"blue\ninfo \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>2 \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>I took an interest in languages and programing from a young age. Even though I\u2019m not the best at hand drawing, using graphic design programs comes in quite easy.
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\nI chose to develop a smartphone app that utilizes Augmented Reality to showcase my perception of Greece.
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\nI figured AR would be the best way to go about it.
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\n

I am pleased how my project unfolds exclusively within a public digital space and doesn\u2019t fit at a physical gallery. Like a piece of street art, in a peculiar way, my work involves and belongs to everyone.<\/font><\/p>
\nStasis hellas (hellas stands for Hellas, otherwise Greece) includes a number of original art pieces in the form of sculptures that work as modern tableau vivant. By using your mobile phone you can project those sculptures on any physical space around you, thus creating your own illusions.
\n \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-column>\"tsigana\" \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-column><\/rs-row><\/rs-zone> \n\t\t\t\t\t\t\t\t<\/rs-layer>02 \n\t\t\t\t\t\t\t\t<\/rs-layer>04 \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group>next \n\t\t\t\t\t\t\t\t<\/rs-layer>back \n\t\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer>\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"blue\n\"tsolias \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>info \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>3 \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>It all started sprung from a desire to satirize the behaviors, the values and the standards of modern Greek society.
\nI consciously chose to make a symbolic psychograph of the Greek race, to dwell
\non some aspects of a familiar situation and, why not, to exorcise them.
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\nSince I have not personally experienced the agon for Greek independence, I figured it would be better to create a whole new feeling that focuses on emotion.
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\nMy goal isn\u2019t to indulge by describing another fairy tale by commenting upon but rather to make you think. I did not create a videogame, you don\u2019t get to win points or make friends.
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\nIt about a drama in different acts, kicking off with DISCORD MON AMOUR!!, followed by \u00c9GALIT\u00c9, WAR GAMES, LAND OF OPPORTUNITY, LAND HOMELANDS and last but not least BU\u0396\u0396\u03a4OP LOVERS.
\n \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-column><\/rs-row><\/rs-zone> \n\t\t\t\t\t\t\t\t<\/rs-layer>03 \n\t\t\t\t\t\t\t\t<\/rs-layer>04 \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group>next \n\t\t\t\t\t\t\t\t<\/rs-layer>back \n\t\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer>\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"blue\ninfo \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>4 \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>\"info4\" \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>
\nIn DISCORD, MON AMOUR!! through the friendship of two friends, Ismael and Ulysses, I talk about a very distinctive behavior that affects humans like a disease. Discord overwhelms you and transforms you like a virus. Discord creates only monsters in prison.
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\nFor the male character in WAR GAMES I draw inspiration from my uncle (a retired officer of the Greek army) whom we visit every time we\u2019re town. Although the main theme here is the relation between authority and military technology I chose not to depict the ones who are really behind and benefit from wars. Instead, I juxtapose two warrior figures, each standing for different war model. One already gone, a new kind, already rising.
\nAfter all, wars may end but hostility continues. <\/strong><\/span>
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\nIn LAND OF OPPORTUNITY, I poke fun at bureaucracy, xenomania, technocracy and finally at political European. The hidden art facts inside the drawers symbolize Occidental culture politics. On the backside Dolores Ib\u00e1rruri\u2019s graffiti travels us in times when political messages still meant something.
\nTry approaching and tapping the Greek character. Does he seem familiar?<\/strong><\/span> \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-column><\/rs-row><\/rs-zone> \n\t\t\t\t\t\t\t\t<\/rs-layer>03 \n\t\t\t\t\t\t\t\t<\/rs-layer>04 \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group>next \n\t\t\t\t\t\t\t\t<\/rs-layer>back \n\t\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer>\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"blue\ninfo \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>6 \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>\"\" \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>
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I love Greece, exactly the way it is, for better or worse. <\/font><\/p>I\u2019m not giving up. This festive year, I\u2019m looking at myself in the mirror more persistently. I make my truth to be heard.
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\nSend your comments at info@stasishellas.gr<\/a> <\/u>or write on my social media. Be sure to take many pictures and capture videos with you and your friends. Use my app to create and live your OWN experience. \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-column><\/rs-row><\/rs-zone> \n\t\t\t\t\t\t\t\t<\/rs-layer>03 \n\t\t\t\t\t\t\t\t<\/rs-layer>04 \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group>next \n\t\t\t\t\t\t\t\t<\/rs-layer>back \n\t\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer>\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"blue\ninfo \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>5 \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>\"egalite \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer>The bus stop panels in BUZZTOP LOVERS refer to print media. Here the hero, dissatisfied with his choice, does not know which model of woman to choose. How banal but also how true !! Each of the parading figures represents a type of woman but also a model of a specific Greece. While he is desiring perfection, we are still looking for the perfect narrative of a Homeland. But the truth is one: we are all different and wonderful. <\/strong><\/span>
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\nA direct reference to the rights individual women could never be absent from an art piece depicting Greek society. \u00c9GALIT\u00c9 is my response to patriarchy in our society. From 1821 \u2018till recently, the mother, the female worker, the prostitute, etc were all in general classified as second-class citizens. The cut down olive trunk symbolizes death and rebirth.
\nThe neck tattoo as a chronic denouncement of violence, barbarism and all forms of racism. <\/strong><\/span>
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\nWe often forget that we are a people of diaspora, therefore ecumenical. Nostalgia and Greek race go hand in hand. The travelers that jump out from the tattered carpet in LOST HOMELANDS are a reference on the many Greek men and women who were forced to abandon their homeland and become refugees. Therefore, how is it possible to remain indifferent in front of the souls that fight with the sea waves? . \n\t\t\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-column><\/rs-row><\/rs-zone> \n\t\t\t\t\t\t\t\t<\/rs-layer>03 \n\t\t\t\t\t\t\t\t<\/rs-layer>04 \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group>next \n\t\t\t\t\t\t\t\t<\/rs-layer>back \n\t\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t<\/rs-layer>\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t<\/rs-slides>\n\t\t\t\t\t<\/rs-bg-elem>\n\u00a9 2021 Stasis hellas \n\t\t\t\t\t\t\t\t<\/rs-layer>info@stasishellas.gr<\/u>
\n \n\t\t\t\t\t\t\t\t<\/a>\"stasis \n\t\t\t\t\t\t\t\t<\/rs-layer>intro \n\t\t\t\t\t\t\t\t<\/rs-layer>info \n\t\t\t\t\t\t\t\t<\/rs-layer>artworks \n\t\t\t\t\t\t\t\t<\/a>gallery \n\t\t\t\t\t\t\t\t<\/a>AR \n\t\t\t\t\t\t\t\t<\/a><\/rs-group> \n\t\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group>\"tiktok2 \n\t\t\t\t\t\t\t\t<\/a><\/i> \n\t\t\t\t\t\t\t\t<\/a><\/i> \n\t\t\t\t\t\t\t\t<\/a><\/i> \n\t\t\t\t\t\t\t\t<\/a><\/rs-group>scroll \n\t\t\t\t\t\t\t\t<\/rs-layer> \n\t\t\t\t\t\t\t\t<\/rs-layer><\/rs-group><\/rs-static-layers>\n\t\t\t\t<\/rs-module>\n\t\t\t\t